| Diwan special issue |
Miro
Petrović
Born
in 1954 in Klobuk (B&H), lives in Mostar (B&H).
In the
same year in the same village whose name we do not know for now in the pure
ozone of the renaissance two mothers bore each into her own progeny
Together
they grew as neighbours as olives grow and in their yards skinned their
knees.
They
suckled their mothers and waited for their tired fathers from the plough-lands
and fields or from the Sunday hunt in the north of the Apennines.
When
they grew up a bit you could see from Mars and Venus that in the painter's
trade they were both equally and excellently skilled.
One
of them thinks of a golden hill full of radiance, the other one is already
spilling the sun from his hands above it. One of them floods the sea with
blue the other listens to music from a shell.
And
the village marvelled at the two fellows. Nobody knew which was the better
painter.
At that
time through the village came the duke of Milan going hunting with his posse.
Hounds,
falcons and horsemen at the cross-roads took the path to the right and so
the duke of Milan in the golden autumn of 1482 chanced to pass by the yard
of one of those two painters.
Astonished
the duke stood before the sight and in a moment invited the painter to his
castle, which the impoverished painter readily accepted.
He was
thirty years old at the time.
The
village is called Vinca. The painter was called Leonardo da Vinci.
I am
Miro Petrović.
The
name of that other painter in the village, by whom the duke did not chance
to pass to this day no one has discovered.
Translated by Ulvija Tanović
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